Abstrakti
In the context of artistic research, making has been traditionally understood as a process between the maker and the material. However, the digitalization that influences all practices brings us new kinds of making processes in which the ‘digital tools’ have a profound impact on the practitioner’s experience – also in the context of art, craft and design. This study explores the maker’s experience from a practice-led approach to understanding the subjective experience with clay 3D printing. To open up the 3D printing process with clay using our embodied understanding, the full process is viewed metaphorically – borrowing from music. The preliminary findings show that metaphorical viewing and the use of a score enables a successful review of the nature of computer-based practices in a way that all aspects and potentials fall naturally into place.
Alkuperäiskieli | Englanti |
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Otsikko | Proceedings of BICCS 2021 - Biennial International Conference for the Craft Sciences. Special Issue |
Toimittajat | Camilla Groth, Tina Westerlund, Gunnar Almevik |
Julkaisupaikka | Oslo |
Kustantaja | Oslo Metropolitan University |
Sivut | 1-15 |
Sivumäärä | 15 |
Vuosikerta | 14 |
Painos | 2 |
DOI - pysyväislinkit | |
Tila | Julkaistu - 10 toukok. 2021 |
OKM-julkaisutyyppi | A4 Artikkeli konferenssijulkaisuussa |
Tapahtuma | Biennial International Conference for the Craft Sciences - The Craft Laboratory, Mariestad, Ruotsi Kesto: 4 toukok. 2021 → 6 toukok. 2021 https://craftsciencesconference.com/ |
Julkaisusarja
Nimi | FormAkademisk - Research Journal of Design and Design Education |
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Kustantaja | Oslo Metropolitan University |
ISSN (elektroninen) | 1890-9515 |
Conference
Conference | Biennial International Conference for the Craft Sciences |
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Lyhennettä | BICCS |
Maa/Alue | Ruotsi |
Kaupunki | Mariestad |
Ajanjakso | 04/05/2021 → 06/05/2021 |
www-osoite |