Haecceity II

Tutkimustuotos: Taiteellinen julkaisu ja ICT-julkaisuPerformanceSolo art productionvertaisarvioitu


The sound piece Haecceity II is derived from my work with affective performance practices and here Gilles Deleuze and Félix Guattari’s use of the term as individuation, primarily in A Thousand Plateaus (1980 [1987]). The outline for this sound piece as performance was conceived simultaneously with my writing of a paper for the 2019 edition of the Deleuze and Guattari Studies Conference which took its departure in that exact term. The performance is constructed with a focus on the lines of intensity that runs through it, and in their unification as improvised sound. The piece is in constant development and should be regarded as a concept that can take many shapes and have many potentialities inscribed. This will be the second live iteration of Haecceity, where the first was created in June 2019. This sound performance is a continuation of Madsen's paper which was also presented at the conference: A Distributed Body: Non-binary Becoming Through Sound.
Tuotoksen mediaOnline
Koko30 minutes
TilaJulkaistu - 6 heinäkuuta 2021
OKM-julkaisutyyppiF1 Julkaistut itsenäiset taideteokset
TapahtumaDeleuze & Guattari Studies Camp and Conference: Territorialities, Exterritorialities, Non-Territorialities - Online, Prague, Tshekki
Kesto: 5 heinäkuuta 20217 heinäkuuta 2021
Konferenssinumero: 14

Field of art

  • Nykytaide
  • Esittävä taide
  • Musiikki


Sukella tutkimusaiheisiin 'Haecceity II'. Ne muodostavat yhdessä ainutlaatuisen sormenjäljen.

Siteeraa tätä