Abstract
Wavefolders are a particular class of nonlinear waveshaping circuits, and a staple of the "West Coast" tradition of analog sound synthesis. In this paper, we present analyses of two popular wavefolding circuits-the Lockhart and Serge wavefolders-and show that they achieve a very similar audio effect. We digitally model the input-output relationship of both circuits using the Lambert-W function, and examine their time- and frequency-domain behavior. To ameliorate the issue of aliasing distortion introduced by the nonlinear nature of wavefolding, we propose the use of the first-order antiderivative method. This method allows us to implement the proposed digital models in real-time without having to resort to high oversampling factors. The practical synthesis usage of both circuits is discussed by considering the case of multiple wavefolder stages arranged in series.
| Original language | English |
|---|---|
| Article number | 1328 |
| Journal | Applied Sciences |
| Volume | 7 |
| Issue number | 12 |
| DOIs | |
| Publication status | Published - 20 Dec 2017 |
| MoE publication type | A1 Journal article-refereed |
Keywords
- Acoustic signal processing
- Antialiasing
- Circuit modeling
- Music
- Nonlinear waveshaping
- Synthesis
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