Abstract
The article addresses a shift observable in recent artistic practices that relate to technology and the sciences, and the merger of technological and biological matter. This shift is described along a selection of the author’s artistic works from the 21st century, which are paralleled with Roy Ascott’s visionary writings from the last decades. This article examines a few aspects of bio + technological artistic practice: how experimental art, practices, and thinking address the networked world; how technology-infused thinking and technology-enabled connectivity have gradually become our incontrovertible reality; and, how it has impacted our perception of nature and the way we relate to the biological world.
| Original language | English |
|---|---|
| Pages (from-to) | 89-100 |
| Number of pages | 12 |
| Journal | Cybernetics and Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cyber-Semiotics |
| Volume | 25 |
| Issue number | 2-3 |
| Publication status | Published - 2018 |
| MoE publication type | A1 Journal article-refereed |
Keywords
- art
- networks
- connectivity
- telematic art
- technological
- biological
- Ascott