Abstract
This chapter examines how reframing post-internet art through anti-racist and anti-colonial lenses in digital art curriculum can cultivate critical and transformative artist practices for students. Anti-racist and anti-colonial approaches offer frameworks for critically analyzing identity, ideology, and power relations toward decentering the art canon and qualitatively shifting curriculum toward critical dialogues and social action. Through a retrospection of the author’s own active and ongoing transformation as teacher, as well as through an analysis of artist Tabita Reziare’s post-internet practice, this article builds a pedagogical foundation for students to generate their own critical consciousness in learning and artmaking through a digital art curriculum.
| Original language | English |
|---|---|
| Title of host publication | Post-Digital, Post-Internet Art and Education |
| Editors | Kevin Tavin, Gila Kolb, Juuso Tervo |
| Publisher | Palgrave Macmillan |
| Chapter | 14 |
| Pages | 239-256 |
| Number of pages | 18 |
| ISBN (Electronic) | 9783030737702 |
| ISBN (Print) | 9783030737696 |
| DOIs | |
| Publication status | Published - 29 Jun 2021 |
| MoE publication type | A3 Book section, Chapters in research books |
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