Tested through encounters. Learning in documentary photography workshops

Research output: ThesisDoctoral ThesisMonograph

Abstract

Tested through encounters. Learning in documentary photography workshops research is an academic study in the field of arts pedagogy. It examines learning in photography major studies in the university of applied sciences context, more precisely in two specific documentary workshops in which the photography of the students is at the core. The teachers of the study (Stefan Bremer, Encountering photography workshop as well as Japo Knuutila and Jan Kaila, The methodological workshop of photography) have carried out workshops using self-developed concepts for decades in Finnish photography study programs. The methodology of this study is at-home ethnography with the context of the study being the researcher-teacher’s workplace. Alongside the actual research material, the researcher makes use of her own knowledge and experience about the subject. The material consists of pictures and sound recordings of the teaching situations and is supplemented by interviews of the teachers and students. In the study learning is observed through actor-network theory. Accordingly, the learning is considered to be happening in transformations of the different human and non-human actors.Instead of seeing learning only as an individual’s progression, this research looks at learning as asocio-material process. To learn to be a photographer is to experience the trials of the unified functioning of human and camera in different encounters in photography environments as well asin teaching situations in the dialogue between the teacher, the student and the student group. The research accounts for the changes that digitalization and the internet have made to photography and its learning processes. The documentarist now acts in a networked world, where the information concerning the study of art is easily available, international contacts are created through social media and the sharing of images changes the human attitude towards photography. Alongside non-human actors the study also examines, for example the dialogue and authority relation between the teacher and the student. The teacher teaches in many ways, for example by setting up as opposition to the students and challenging them to overcome themselves as photographers. In Documentary workshops the idea is to be present in the world which is not entirely possible through distant learning using the internet. Being trained in being intensely present matters. Instead of examining the photographers’ identity the study suggests using Rosi Braidotti’s concept of nomadic subjectivity to look at the agency of the documentarist in different relations as a continually evolving process.
Translated title of the contributionTested through encounters. Learning in documentary photography workshops
Original languageFinnish
QualificationDoctor's degree
Awarding Institution
  • Aalto University
Supervisors/Advisors
  • Laakso, Harri, Supervising Professor
  • Löytönen, Teija, Thesis Advisor
  • Laakso, Harri, Thesis Advisor
  • Salo, Merja, Thesis Advisor
Publisher
Print ISBNs978-952-64-0261-1
Electronic ISBNs978-952-64-0262-8
Publication statusPublished - 2021
MoE publication typeG4 Doctoral dissertation (monograph)

Keywords

  • art education
  • higher education in photography
  • photography workshops
  • learning
  • actor network theory
  • documentary photography

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