Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations

Pia Tikka; Mauri Kaipainen

doi:10.1093/oxfordhb/9780199981601.013.15

Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations

Pia Tikka
, Mauri Kaipainen

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Scientific › peer-review

Abstract

The dancer, choreographer, and filmmaker Maya Deren can be seen as one of the pioneers of the cinematographic genre of screendance. Her experimental films have challenged the conventional plot-driven (...)

Original language	English
Title of host publication	The Oxford Handbook of Screendance Studies
Editors	Douglas Rosenberg
Publisher	Oxford University Press
Pages	303–320
ISBN (Electronic)	9780199338634
ISBN (Print)	9780199981601
DOIs	https://doi.org/10.1093/oxfordhb/9780199981601.013.15
Publication status	Published - 2016
MoE publication type	A3 Book section, Chapters in research books

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Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations

Abstract

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