Abstract
Playing with the Gods is Clare Bottomley’s debut solo exhibition in Finland. This project also marks her initial exploration into the transgressive potential of photographic re-enactment.
In Playing with the Gods, Clare aims to bring the theatrical aesthetics of classical paintings out from the dusty walls of elitist institutions and reinvent them through self-portraiture, creating transgressive, contemporary interpretations of ancient mythologies. By juxtaposing the moralistic undertones of these ancient tales with the complexities, failures, and uncertainties of contemporary life, Clare hopes to provoke reflection on how many of our values, principles, and beliefs may still be rooted in outdated tales.
Clare’s self-portraits offer a layered visual ‘re-turning’: a re-imagining of classical paintings, which are dominant visual symbols within Western culture, blended with playful re-enactments of vignettes from her own life. These scenes, both deeply personal and universally relatable, capture the messy and sometimes chaotic realities of everyday life.
The photographic works are installed in a gallery setting that mimics the atmosphere of traditional, formal museums—spaces typically associated with the classical artworks Clare’s re-enactments reference. This setup challenges the often stuffy, unapproachable atmosphere of cultural institutions, suggesting that the everyday lives of everyday people deserve a place on museum and gallery walls everywhere.
The information on artistic outputs in the Aalto Research Portal follows the reporting guidelines of Finland’s Ministry of Education and Culture. Therefore, each contribution requiring independent artistic activity is reported separately. For full details of the work and its contributors, please refer to information provided by the publisher.
In Playing with the Gods, Clare aims to bring the theatrical aesthetics of classical paintings out from the dusty walls of elitist institutions and reinvent them through self-portraiture, creating transgressive, contemporary interpretations of ancient mythologies. By juxtaposing the moralistic undertones of these ancient tales with the complexities, failures, and uncertainties of contemporary life, Clare hopes to provoke reflection on how many of our values, principles, and beliefs may still be rooted in outdated tales.
Clare’s self-portraits offer a layered visual ‘re-turning’: a re-imagining of classical paintings, which are dominant visual symbols within Western culture, blended with playful re-enactments of vignettes from her own life. These scenes, both deeply personal and universally relatable, capture the messy and sometimes chaotic realities of everyday life.
The photographic works are installed in a gallery setting that mimics the atmosphere of traditional, formal museums—spaces typically associated with the classical artworks Clare’s re-enactments reference. This setup challenges the often stuffy, unapproachable atmosphere of cultural institutions, suggesting that the everyday lives of everyday people deserve a place on museum and gallery walls everywhere.
The information on artistic outputs in the Aalto Research Portal follows the reporting guidelines of Finland’s Ministry of Education and Culture. Therefore, each contribution requiring independent artistic activity is reported separately. For full details of the work and its contributors, please refer to information provided by the publisher.
Original language | English |
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Place of Publication | Tampere, Finland |
Publisher | Photographic Centre Nykyaika |
Publication status | Published - 23 Nov 2024 |
MoE publication type | F1 Published independent work of art or performance |
Event | Playing with the Gods - Photographic Centre Nykyaika, Tampere, Finland Duration: 23 Nov 2024 → 20 Dec 2024 https://valokuvakeskusnykyaika.fi/en/clare-bottomley-playing-with-the-gods/ |
Field of art
- Contemporary art