Monoskop Exhibition Library

Dusan Barok; Josefina Björk; Joana Chicau; John Colenbrander; Annet Dekker; Leslie Drost-Robbins; Espen Sommer Eide; Kenneth Goldsmith; Tetsuya Goto; Sarah Hamerman; Sam Hart; Yuki Hayashi; Seewon Hyun; Václav Janoščík; Lee Jungmin; Geraldine Juárez; Mara Karagianni; Richard Kitta; Tadashi Kobayashi; Signe Lidén; Kyung Yong Lim; Silvio Lorusso; Ilan Manouach; Marcell Mars; Tomislav Medak; Darija Medić; Michal Murin; Bhavisha Panchia; Lídia Pereira; Jürgen Rendl; Jara Rocha; Sebastian Schmieg; Eva Skopalová; Danny Snelson; Femke Snelting; Charles Turner; Takuma Uematsu; Marina Valle Noronha; Mathijs van Oosterhoudt; Amy Suo Wu

doi:https://doi.org/10.17613/M6833MZ18

Monoskop Exhibition Library

Dusan Barok, Josefina Björk, Joana Chicau, John Colenbrander, Annet Dekker, Leslie Drost-Robbins, Espen Sommer Eide, Kenneth Goldsmith, Tetsuya Goto, Sarah Hamerman, Sam Hart, Yuki Hayashi, Seewon Hyun, Václav Janoščík, Lee Jungmin, Geraldine Juárez, Mara Karagianni, Richard Kitta, Tadashi Kobayashi, Signe LidénKyung Yong Lim, Silvio Lorusso, Ilan Manouach, Marcell Mars, Tomislav Medak, Darija Medić, Michal Murin, Bhavisha Panchia, Lídia Pereira, Jürgen Rendl, Jara Rocha, Sebastian Schmieg, Eva Skopalová, Danny Snelson, Femke Snelting, Charles Turner, Takuma Uematsu, Marina Valle Noronha, Mathijs van Oosterhoudt, Amy Suo Wu

Research output: Other contribution › Professional

Abstract

The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the show opens. Rather than documenting it, they often stand on their own, almost as if another work on display, truly as an artistic medium on its own. For this work, artists, designers, curators, poets and collectives created thirty catalogues of imaginary exhibitions. Exploring both the potential and impossible in art, the resulting exhibition library also serves as a “library of exhibitions.”

Original language	Multiple languages
Publisher	Monoskop
Place of Publication	Amsterdam
DOIs	https://doi.org/10.17613/M6833MZ18
Publication status	Published - 2018
MoE publication type	Not Eligible

Field of art

Contemporary art

Access to Document

https://doi.org/10.17613/M6833MZ18

Cite this

@misc{4f33d27531a44e3a924e89e9a22534b3,

title = "Monoskop Exhibition Library",

abstract = "The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the show opens. Rather than documenting it, they often stand on their own, almost as if another work on display, truly as an artistic medium on its own. For this work, artists, designers, curators, poets and collectives created thirty catalogues of imaginary exhibitions. Exploring both the potential and impossible in art, the resulting exhibition library also serves as a “library of exhibitions.”",

author = "Dusan Barok and Josefina Bj{\"o}rk and Joana Chicau and John Colenbrander and Annet Dekker and Leslie Drost-Robbins and Eide, {Espen Sommer} and Kenneth Goldsmith and Tetsuya Goto and Sarah Hamerman and Sam Hart and Yuki Hayashi and Seewon Hyun and V{\'a}clav Jano{\v s}{\v c}{\'i}k and Lee Jungmin and Geraldine Ju{\'a}rez and Mara Karagianni and Richard Kitta and Tadashi Kobayashi and Signe Lid{\'e}n and Lim, {Kyung Yong} and Silvio Lorusso and Ilan Manouach and Marcell Mars and Tomislav Medak and Darija Medi{\'c} and Michal Murin and Bhavisha Panchia and L{\'i}dia Pereira and J{\"u}rgen Rendl and Jara Rocha and Sebastian Schmieg and Eva Skopalov{\'a} and Danny Snelson and Femke Snelting and Charles Turner and Takuma Uematsu and Noronha, {Marina Valle} and Oosterhoudt, {Mathijs van} and Wu, {Amy Suo}",

year = "2018",

doi = "https://doi.org/10.17613/M6833MZ18",

language = "Monikielinen",

publisher = "Monoskop",

address = "Alankomaat",

type = "Other",

}

Barok, D, Björk, J, Chicau, J, Colenbrander, J, Dekker, A, Drost-Robbins, L, Eide, ES, Goldsmith, K, Goto, T, Hamerman, S, Hart, S, Hayashi, Y, Hyun, S, Janoščík, V, Jungmin, L, Juárez, G, Karagianni, M, Kitta, R, Kobayashi, T, Lidén, S, Lim, KY, Lorusso, S, Manouach, I, Mars, M, Medak, T, Medić, D, Murin, M, Panchia, B, Pereira, L, Rendl, J, Rocha, J, Schmieg, S, Skopalová, E, Snelson, D, Snelting, F, Turner, C, Uematsu, T, Noronha, MV, Oosterhoudt, MV & Wu, AS 2018, Monoskop Exhibition Library. Monoskop, Amsterdam. https://doi.org/10.17613/M6833MZ18

TY - GEN

T1 - Monoskop Exhibition Library

AU - Barok, Dusan

AU - Björk, Josefina

AU - Chicau, Joana

AU - Colenbrander, John

AU - Dekker, Annet

AU - Drost-Robbins, Leslie

AU - Eide, Espen Sommer

AU - Goldsmith, Kenneth

AU - Goto, Tetsuya

AU - Hamerman, Sarah

AU - Hart, Sam

AU - Hayashi, Yuki

AU - Hyun, Seewon

AU - Janoščík, Václav

AU - Jungmin, Lee

AU - Juárez, Geraldine

AU - Karagianni, Mara

AU - Kitta, Richard

AU - Kobayashi, Tadashi

AU - Lidén, Signe

AU - Lim, Kyung Yong

AU - Lorusso, Silvio

AU - Manouach, Ilan

AU - Mars, Marcell

AU - Medak, Tomislav

AU - Medić, Darija

AU - Murin, Michal

AU - Panchia, Bhavisha

AU - Pereira, Lídia

AU - Rendl, Jürgen

AU - Rocha, Jara

AU - Schmieg, Sebastian

AU - Skopalová, Eva

AU - Snelson, Danny

AU - Snelting, Femke

AU - Turner, Charles

AU - Uematsu, Takuma

AU - Noronha, Marina Valle

AU - Oosterhoudt, Mathijs van

AU - Wu, Amy Suo

PY - 2018

Y1 - 2018

N2 - The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the show opens. Rather than documenting it, they often stand on their own, almost as if another work on display, truly as an artistic medium on its own. For this work, artists, designers, curators, poets and collectives created thirty catalogues of imaginary exhibitions. Exploring both the potential and impossible in art, the resulting exhibition library also serves as a “library of exhibitions.”

AB - The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the show opens. Rather than documenting it, they often stand on their own, almost as if another work on display, truly as an artistic medium on its own. For this work, artists, designers, curators, poets and collectives created thirty catalogues of imaginary exhibitions. Exploring both the potential and impossible in art, the resulting exhibition library also serves as a “library of exhibitions.”

UR - https://monoskop.org/File:Monoskop_XL_Seoul_2018.pdf

U2 - https://doi.org/10.17613/M6833MZ18

DO - https://doi.org/10.17613/M6833MZ18

M3 - Muu tuotos

PB - Monoskop

CY - Amsterdam

ER -

Monoskop Exhibition Library

Abstract

Field of art

Access to Document

Other files and links

Cite this