Extension/Point of Touch: collaborative visual performance

Agnieszka Karasch; Jaanika  Peerna; Hector Canonge

Extension/Point of Touch: collaborative visual performance

Agnieszka Karasch, Jaanika Peerna (Performer), Hector Canonge (Curator)

Department of Art

Research output: Artistic and non-textual form › Performance › Art in coproduction › peer-review

Abstract

Using pre-selected actions, having variables of speed and pressure at their disposal and working in accordance with the "initial-image principle" Agnieszka and Jaanika drew on the paper surface stretched on the floor. They tested ‘point-of-touch’ – a strategy of body connection - to impose own will, mark own terrain, relocate, shift and widen the rigid structures of the image. Seismographic drawing became a record of their physical and visual relocations of two defined personalities within an imposed coexistence system.
Material: 3,5 x 3,5 m. paper on the floor / charcoal, graphite, eraser
Time: 2,5 hour

Original language	English
Place of Publication	New York City
Media of output	Online
Publication status	Published - 15 May 2017
MoE publication type	F2 Public partial realisation of a work of art
Event	Itinerant: Performance Art Festival - New York, United States Duration: 13 May 2017 → 21 May 2017 http://www.itinerant.website

Keywords

drawing
performance
contact interaction
pressure
weight
movement

Field of art

Performance

Cite this

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title = "Extension/Point of Touch: collaborative visual performance",

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keywords = "drawing, performance, contact interaction, pressure, weight, movement",

author = "Agnieszka Karasch and Jaanika Peerna and Hector Canonge",

year = "2017",

month = may,

day = "15",

language = "English",

note = "Itinerant: Performance Art Festival ; Conference date: 13-05-2017 Through 21-05-2017",

url = "http://www.itinerant.website",

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TY - ADVS

T1 - Extension/Point of Touch

T2 - Itinerant: Performance Art Festival

AU - Karasch, Agnieszka

A2 - Peerna, Jaanika

A2 - Canonge, Hector

PY - 2017/5/15

Y1 - 2017/5/15

N2 - Using pre-selected actions, having variables of speed and pressure at their disposal and working in accordance with the "initial-image principle" Agnieszka and Jaanika drew on the paper surface stretched on the floor. They tested ‘point-of-touch’ – a strategy of body connection - to impose own will, mark own terrain, relocate, shift and widen the rigid structures of the image. Seismographic drawing became a record of their physical and visual relocations of two defined personalities within an imposed coexistence system.Material: 3,5 x 3,5 m. paper on the floor / charcoal, graphite, eraserTime: 2,5 hour

AB - Using pre-selected actions, having variables of speed and pressure at their disposal and working in accordance with the "initial-image principle" Agnieszka and Jaanika drew on the paper surface stretched on the floor. They tested ‘point-of-touch’ – a strategy of body connection - to impose own will, mark own terrain, relocate, shift and widen the rigid structures of the image. Seismographic drawing became a record of their physical and visual relocations of two defined personalities within an imposed coexistence system.Material: 3,5 x 3,5 m. paper on the floor / charcoal, graphite, eraserTime: 2,5 hour

KW - drawing

KW - performance

KW - contact interaction

KW - pressure

KW - weight

KW - movement

UR - http://art-methods.com/home/pressure_1/

M3 - Performance

CY - New York City

Y2 - 13 May 2017 through 21 May 2017

ER -

Extension/Point of Touch: collaborative visual performance

Abstract

Keywords

Field of art

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