Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments

Koray Tahiroglu, Thor Magnusson, Adam Parkinson, Iris Garrelfs, Atau Tanaka

Research output: Contribution to journalArticleScientificpeer-review

49 Downloads (Pure)

Abstract

This article explores how computation opens up possibilities for new musical practices to emerge through technology design. Using the notion of the cultural probe as a lens, we consider the digital musical instrument as an experimental device that yields findings across the fields of music, sociology and acoustics. As part of an artistic-research methodology, the instrumental object as a probe is offered as a means for artists to answer questions that are often formulated outside semantic language. This article considers how computation plays an important role in the authors’ personal performance practices in different ways, which reflect the changed mode-of-being of new musical instruments and our individual and collective relations with them.
Original languageEnglish
Pages (from-to)64-74
JournalOrganised Sound
Volume25
Issue number1
DOIs
Publication statusPublished - 4 Apr 2020
MoE publication typeA1 Journal article-refereed

Keywords

  • new interfaces for music expression
  • digital musical interactions
  • digital musical instruments

Field of art

  • Composition
  • Contemporary art
  • Performance

Fingerprint Dive into the research topics of 'Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments'. Together they form a unique fingerprint.

  • Projects

    Digital Musical Interactions - Instruments - Performances

    Tahiroglu, K.

    01/09/201831/08/2023

    Project: Academy of Finland: Other research funding

    Cite this