Abstract
We explore the use of neural synthesis for acoustic guitar from string-wise MIDI input. We propose four different systems and compare them with both objective metrics and subjective evaluation against natural audio and a sample-based baseline. We iteratively develop these four systems by making various considerations on the architecture and intermediate tasks, such as predicting pitch and loudness control features. We find that formulating the control feature prediction task as a classification task rather than a regression task yields better results. Furthermore, we find that our simplest proposed system, which directly predicts synthesis parameters from MIDI input performs the best out of the four proposed systems. Audio examples and code are available.
Original language | English |
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Title of host publication | Proceedings of the 27th International Conference on Digital Audio Effects (DAFx24) |
Publisher | University of Surrey |
Pages | 208-215 |
Number of pages | 8 |
Publication status | Published - 2024 |
MoE publication type | A4 Conference publication |
Event | International Conference on Digital Audio Effects - University of Surrey, Guildford, United Kingdom Duration: 3 Sept 2024 → 7 Sept 2024 Conference number: 27 https://dafx24.surrey.ac.uk/ |
Publication series
Name | Proceedings of the International Conference on Digital Audio Effects, DAFx |
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ISSN (Print) | 2413-6700 |
ISSN (Electronic) | 2413-6689 |
Conference
Conference | International Conference on Digital Audio Effects |
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Abbreviated title | DAFX |
Country/Territory | United Kingdom |
City | Guildford |
Period | 03/09/2024 → 07/09/2024 |
Internet address |