Costume design processes within contemporary performance: Key considerations in Annika gör Svansjön/Annika does Swanlake (2015) and Nature Theatre of Oblivia (2017)

Tua Helve

Research output: Artistic and non-textual form › Design › Art in coproduction › peer-review

Fingerprint

Dive into the research topics of 'Costume design processes within contemporary performance: Key considerations in Annika gör Svansjön/Annika does Swanlake (2015) and Nature Theatre of Oblivia (2017)'. Together they form a unique fingerprint.

Arts and Humanities