Companion for the videography ‘Monstrous Organizing - The Dubstep Electronic Music Scene’

Joel Hietanen, Joonas Rokka

Research output: Contribution to journalArticleScientificpeer-review

11 Citations (Scopus)
342 Downloads (Pure)


This companion essay contributes to video-based organizational research by critically assessing conventional representational modes of videographic practice and conceptualizing an ‘expressive’ ontology for videographic research. We offer an image of thought that foregrounds the creative and powerfully affective potential of both videographic work and spectatorship. To advance this perspective and to inspire future research, we present our videography (length 30 minutes) that integrates various ‘expressive’ elements in montage form. We use the film to scrutinize the potential of video-based research and several methodological considerations tied to it. In doing so, we argue that video-based organizing of research activities can be seen as ‘monstrous’, an entire emergent mode of aesthetic storytelling that comes into being not in ‘capturing’ or ‘recording’, but rather as an affective production of potentialities.
Original languageEnglish
Pages (from-to)320-334
Issue number3
Early online date2017
Publication statusPublished - May 2018
MoE publication typeA1 Journal article-refereed


  • Deleuze
  • expressive videography
  • monstruous organizing
  • music scenes
  • video


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