Abstract
The paper explores whether there are useful connections between rules that characterize comedy genres of cinema and television on the one hand, and software ontology that can be exploited by the desig
| Original language | English |
|---|---|
| Pages (from-to) | 143 |
| Journal | Digital Creativity |
| Volume | 18 |
| Issue number | 3 |
| Publication status | Published - 2007 |
| MoE publication type | A1 Journal article-refereed |
Keywords
- computational rules; database media; interactive comedy; keyword recognition; ontology; storytelling rhetoric