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Abstract
In this article, I discuss the possible futures of art and aesthetic experience in the age of non-human agency, machine learning and artificial intelligence. I approach my subject from the point of view of artistic research asking: how will the dawning Singularity experience art, and how could artists take this into account while making art today. First, I will give an outline of the transhuman condition and the theory of Singularity. I’ll present some examples of how biological bodies are merging with technological ones. I then present some previous examples how the theme has been approached in artists previously. I move to suggesting different theoretical tools that might help us in our task and suggest ways to negotiate between living and non-living experience. I present an artistic process of Brains on Art collective and describe a Machine Spectator we are building and some future ideas for the project. Finally, I present some ontological aspects of the machine that have been highlighted during the project.
Original language | English |
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Journal | Electronic Workshops in Computing |
Publication status | Published - 17 Sep 2018 |
MoE publication type | A4 Article in a conference publication |
Event | Politics of the Machines: Art and After - IT University of Copenhagen, Copenhagen, Denmark Duration: 15 May 2018 → 17 May 2018 Conference number: 1 http://www.eva-copenhagen.dk/ http://www.eva-copenhagen.dk |
Keywords
- artificial intelligence
- transhumanism
- posthumanism
- Artistic research
- aesthetic experience
- machine learning
Field of art
- Contemporary art
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Dive into the research topics of 'Cave Paintings for the AI: Art in the Age of Singularity'. Together they form a unique fingerprint.Activities
- 1 Conference presentation
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Cave Paintings for the AI: Art in the Age of Singularity
Kasperi Mäki-Reinikka (Speaker)
15 May 2018Activity: Talk or presentation types › Conference presentation