Abstract
Percussionist Tom De Cock is surrounded by a landscape of round percussion instruments. With minimal movements, he manipulates the timbre of suspended frame drums and cymbals, each of which is powered by its own tiny electronic device. Polyrhythmic clouds, percussive eruptions and electronically transformed percussion clusters remind us of the works of the great master: Iannis Xenakis.
The information on artistic outputs in the Aalto Research Portal follows the reporting guidelines of Finland’s Ministry of Education and Culture.Therefore, each contribution requiring independent artistic activity isreported separately. For full details of the work and its contributors, pleaserefer to information provided by the publisher.
The information on artistic outputs in the Aalto Research Portal follows the reporting guidelines of Finland’s Ministry of Education and Culture.Therefore, each contribution requiring independent artistic activity isreported separately. For full details of the work and its contributors, pleaserefer to information provided by the publisher.
| Original language | English |
|---|---|
| Place of Publication | Brugge |
| Publisher | Concertgebouw Brugge |
| Publication status | Accepted/In press - 2023 |
| MoE publication type | F2 Partial implementation of a work of art or performance |
Field of art
- Performance