Abstract
Focusing on the universally beguiling red dress, referred to by Anaïs Nin as capable of ‘alarming the heart with the violent gong of catastrophe’, the costume is here discussed as a spatial body-objec
| Original language | English |
|---|---|
| Pages (from-to) | 15-34 |
| Journal | Scene |
| Volume | 2 |
| Issue number | 1 & 2 |
| Publication status | Published - 2014 |
| MoE publication type | A1 Journal article-refereed |