The present chapter proposes a multimodal approach in order to transcend the seemingly restricted dualism of costume as a conceptual product vs. costume as a physical product of cultural representation. It proposes the research of costume from three perspectives: as a physical object embedding certain features and meanings; as a set of ideas taking a tangible form based on creative thinking (on an individual as well as collective level, through collaboration); and as embodied experience expressed through memory. To discuss this, the chapter employs a specific case as the context for the analysis: the costume collection of a professional dance company from Greece.
|Title of host publication||Dance, Body, Costume|
|Editors||Petra Dotlačilová , Hanna Walsdorf|
|Place of Publication||Leipzig|
|Publisher||Leipziger Universitätsverlag GmbH|
|Number of pages||36|
|Publication status||Published - 12 Sep 2019|
|MoE publication type||A3 Part of a book or another research book|