Activity: Talk or presentation types › Conference presentation
The bioart piece Semina Aeternitatis (2015-2019) looks at how life and death of a biotech chimera unveils possible queer readings of materiality of death and transience. The piece assembles in a non/living entity the possibility of storing digital data on DNA, performativity and leakiness of organic and biotech matter, and the evanescence of individual memory. The paper draws from a feminist reading of the ecology of artistic practice in biological laboratories and takes into account materials and subjects – human and a-human - involved in the project to scrutinize how the complex surrounding the piece may provide insights on how bodies are not only inherently leaky and monstrous. Rather, it looks at how they are inscribed within an ecological framework: by so doing, the discussion points at how bodies are not “only” social constructs, but can be understood further as ecological constructs. Furthermore, it attempts to extend such reading for a critical understanding of human-nature entanglements in times of surging environmental fracture.
4 Nov 2019
International Queer Death Studies Conference: Death Matters, Queer(ing) Mourning, Attuning to Transitionings