Description
The composition Communal is one of a set of performances where the performer and the musical instrument work together to direct, suggest and form a transitional musical narrative. For this performance, the piece takes the form of a collective that allows us to recognise the deeper transformations in the use of AI technologies towards co-determining how music can be present for and perceived by human musicians and audience. The piece was composed using the tools we developed as part of AI-terity and GANSpaceSynth projects in our music laboratory. In the context of new interfaces for musical expression, AI technologies serve an integral role today, offering new perspectives to experiment on the ways in which a musical instrument manifests itself in human-technology relation, finding ways to embody itself into the otherness. Following the live performance of the Communal, I will briefly highlight how the use of AI technologies, not only becomes a material for building new musical instruments to carry out certain operations, but also advances a mutual influence in a co-creative music practice.Period | 22 Nov 2022 |
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Event title | Embodied Perspectives on Musical AI |
Event type | Seminar |
Location | Oslo, NorwayShow on map |
Open science
- This is related to promoting open science
Research ethics and research integrity
- This is related to promoting research ethics and research integrity
Documents & Links
Related content
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Publications and artistic outputs
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Uncertainty Etude #2
Research output: Artistic and non-textual form › Performance › Solo art production › peer-review
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Augmented Granular Synthesis Method for GAN Latent Space with Redundancy Parameter
Research output: Contribution to conference › Paper › Scientific › peer-review
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Introduction to the special issue on socio-cultural role of technology in digital musical instruments
Research output: Contribution to journal › Article › Scientific
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AI-terity
Research output: Artistic and non-textual form › Exhibition › Solo art production › peer-review
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GANSpaceSynth: A Hybrid Generative Adversarial Network Architecture for Organising the Latent Space using a Dimensionality Reduction for Real-Time Audio Synthesis
Research output: Contribution to conference › Paper › Scientific › peer-review
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Uncertainty Etude #2 (pre-recorded) Concert 1
Research output: Artistic and non-textual form › Performance › Solo art production › peer-review
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GANSpaceSynth
Research output: Artistic and non-textual form › Software › Scientific › peer-review
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Communal
Research output: Artistic and non-textual form › Performance › Solo art production › peer-review
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Evolving musical expectations: Mutual correlation between a human musician and an AI musical instrument
Research output: Chapter in Book/Report/Conference proceeding › Chapter › Scientific › peer-review
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Sounding Lifeworld
Research output: Artistic and non-textual form › Performance › Solo art production › peer-review
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AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model
Research output: Chapter in Book/Report/Conference proceeding › Conference article in proceedings › Scientific › peer-review
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Activities
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Technoscientific Practices of Music
Activity: Participating in or organising an event types › Organization of a workshop, panel, session, tutorial or event
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Concert - Digital Musical Instruments and Musical Objects
Activity: Participating in or organising an event types › Organization of a workshop, panel, session, tutorial or event
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Take an AI model, Break it Down and Exploit it Creatively | Koray Tahiroğlu, Aalto University
Activity: Talk or presentation types › Invited academic talk
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Socio-Cultural Role of Technology in Digital Musical Interactions
Activity: Participating in or organising an event types › Organization of a workshop, panel, session, tutorial or event